{"id":22536,"date":"2019-02-02T15:33:24","date_gmt":"2019-02-02T14:33:24","guid":{"rendered":"https:\/\/www.ghilli.it\/product\/capri-1887-countryside-italian-vineyard-landscape-by-capriani-alceste\/"},"modified":"2022-12-22T20:59:24","modified_gmt":"2022-12-22T19:59:24","slug":"capri-1887-countryside-italian-vineyard-landscape-by-capriani-alceste","status":"publish","type":"product","link":"https:\/\/www.ghilli.it\/en\/p\/capri-1887-countryside-italian-vineyard-landscape-by-capriani-alceste\/","title":{"rendered":"Capri 19th century Italian Countryside Landscape by Alceste Campriani 1887"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"

Alceste Campriani, Capri 1887. \u00a0Rural Neapolitan countryside landscape with a vineyard in the foreground, animated by the presence of two peasants along a path, in the left part of the composition and surrounded\u00a0in the background by rocky reliefs and architectures on the right.
\nOil on canvas\u00a0painting, applied\u00a0on cardboard, signed in the lower right corner Capri, A. Campriani 1887,<\/strong> <\/em>by the Italian artist Alceste Campriani (Terni 1848 – Lucca 1933), <\/strong>an Italian\u00a0painter famous\u00a0for his landscapes, especially of the Neapolitan countryside.<\/strong><\/p>\n

This view of the countryside in Capri is an original natural setting for late nineteenth-century landscape painters who favored the seascapes or coastal views of Capri.<\/p>\n

The rural landscape of Campriani is characterized by bright tones, where the almost photographic representation of the real and the descriptive elements are enveloped in a calm and stable atmosphere.
\nThis Italian\u00a0landscape of Capri is unframed, in good condition and comes from a private residence in Milan.<\/p>\n

Alceste Campriani was born in Terni in 1848. He moved to Naples with his family and from 1862 to 1869 studied at the Regio Istituto di Belle Arti where he got to know Giuseppe De Nittis. During this period in Naples he distinguished himself in the 1869 test with his \u201cCapodimonte\u201d, later his work came stylistically closer to the Resina School<\/span> and then became similar to the paintings of the Macchiaoli that, with their individual composition using patches of colour was in line with the artists\u2019 photographic vision of the landscape.<\/p>\n

His friendship with De Nittis proved to be advantageous to Campriani because he was introduced to the French merchant Goupil who employed him until 1884. This contract enabled him to get to know and therefore to work in Europe and in America. At the same time he took part in all the exhibitions held by the Societ\u00e0 Promotrice di Belle Arti in Naples, in 1871 with \u201cImpressione di una pioggia\u201d (Impression of a Rainfall), \u201cEffetto di neve\u201d (Impression of Snow) and \u201cDelle guerre gli errori meditate\u201d (Pondering the Errors of War).<\/p>\n

In 1885 he was also a member of the panel of the Societ\u00e0 Promotrice and, his contract with Goupil having come to an end, he continued working on scenes of Naples and Venice, landscapes of Switzerland and views of Paris and London. In 1894 he took part in the 3rd. Vienna International Exhibition with \u201cScirocco sulla costiera di Amalfi\u201d (Sirocco on the Amalfi Coast) purchased the following year by the Minister for Education for the Galleria Nazionale d\u2019Arte Moderna di Roma.<\/p>\n

At the turn of the century he worked on the decorations for the Gambrinus caff\u00e9 in Naples and two allegorical works for the Palazzo della Borsa (The Stock Exchange).<\/p>\n

From 1891 to 1921 he taught at the Accademia di Belle Arti di Lucca and from 1911 he was also director there.<\/p>\n

Alceste Campriani died in Lucca in 1933.<\/p>\n","protected":false},"featured_media":22255,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[614,469],"product_tag":[],"epocas_cat":[478],"tipologias_cat":[],"statos_cat":[],"class_list":{"0":"post-22536","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-landscapes","7":"product_cat-paintings","9":"first","10":"outofstock","11":"shipping-taxable","12":"purchasable","13":"product-type-simple"},"acf":[],"yoast_head":"\nCapri 19th century Italian Countryside Landscape by Alceste Campriani 1887 | Vendita Online | Ghilli Antichità Milano<\/title>\n<meta name=\"description\" content=\"Alceste Campriani, Capri 1887. \u00a0Rural Neapolitan countryside landscape with a vineyard in the foreground, animated by the presence of two peasants along a path, in the left part of the composition and surrounded\u00a0in the background by rocky reliefs and architectures on the right. Oil on canvas\u00a0painting, applied\u00a0on cardboard, signed in the lower right corner Capri, A. Campriani 1887, by the Italian artist Alceste Campriani (Terni 1848 - Lucca 1933), an Italian\u00a0painter famous\u00a0for his landscapes, especially of the Neapolitan countryside. This view of the countryside in Capri is an original natural setting for late nineteenth-century landscape painters who favored the seascapes or coastal views of Capri. The rural landscape of Campriani is characterized by bright tones, where the almost photographic representation of the real and the descriptive elements are enveloped in a calm and stable atmosphere. This Italian\u00a0landscape of Capri is unframed, in good condition and comes from a private residence in Milan. Alceste Campriani was born in Terni in 1848. He moved to Naples with his family and from 1862 to 1869 studied at the Regio Istituto di Belle Arti where he got to know Giuseppe De Nittis. During this period in Naples he distinguished himself in the 1869 test with his \u201cCapodimonte\u201d, later his work came stylistically closer to the Resina School and then became similar to the paintings of the Macchiaoli that, with their individual composition using patches of colour was in line with the artists\u2019 photographic vision of the landscape. His friendship with De Nittis proved to be advantageous to Campriani because he was introduced to the French merchant Goupil who employed him until 1884. This contract enabled him to get to know and therefore to work in Europe and in America. At the same time he took part in all the exhibitions held by the Societ\u00e0 Promotrice di Belle Arti in Naples, in 1871 with \u201cImpressione di una pioggia\u201d (Impression of a Rainfall), \u201cEffetto di neve\u201d (Impression of Snow) and \u201cDelle guerre gli errori meditate\u201d (Pondering the Errors of War). In 1885 he was also a member of the panel of the Societ\u00e0 Promotrice and, his contract with Goupil having come to an end, he continued working on scenes of Naples and Venice, landscapes of Switzerland and views of Paris and London. In 1894 he took part in the 3rd. Vienna International Exhibition with \u201cScirocco sulla costiera di Amalfi\u201d (Sirocco on the Amalfi Coast) purchased the following year by the Minister for Education for the Galleria Nazionale d\u2019Arte Moderna di Roma. At the turn of the century he worked on the decorations for the Gambrinus caff\u00e9 in Naples and two allegorical works for the Palazzo della Borsa (The Stock Exchange). From 1891 to 1921 he taught at the Accademia di Belle Arti di Lucca and from 1911 he was also director there. Alceste Campriani died in Lucca in 1933.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ghilli.it\/en\/p\/capri-1887-countryside-italian-vineyard-landscape-by-capriani-alceste\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Capri 19th century Italian Countryside Landscape by Alceste Campriani 1887 | Vendita Online | Ghilli Antichità Milano\" \/>\n<meta property=\"og:description\" content=\"Alceste Campriani, Capri 1887. \u00a0Rural Neapolitan countryside landscape with a vineyard in the foreground, animated by the presence of two peasants along a path, in the left part of the composition and surrounded\u00a0in the background by rocky reliefs and architectures on the right. Oil on canvas\u00a0painting, applied\u00a0on cardboard, signed in the lower right corner Capri, A. Campriani 1887, by the Italian artist Alceste Campriani (Terni 1848 - Lucca 1933), an Italian\u00a0painter famous\u00a0for his landscapes, especially of the Neapolitan countryside. This view of the countryside in Capri is an original natural setting for late nineteenth-century landscape painters who favored the seascapes or coastal views of Capri. The rural landscape of Campriani is characterized by bright tones, where the almost photographic representation of the real and the descriptive elements are enveloped in a calm and stable atmosphere. This Italian\u00a0landscape of Capri is unframed, in good condition and comes from a private residence in Milan. Alceste Campriani was born in Terni in 1848. He moved to Naples with his family and from 1862 to 1869 studied at the Regio Istituto di Belle Arti where he got to know Giuseppe De Nittis. During this period in Naples he distinguished himself in the 1869 test with his \u201cCapodimonte\u201d, later his work came stylistically closer to the Resina School and then became similar to the paintings of the Macchiaoli that, with their individual composition using patches of colour was in line with the artists\u2019 photographic vision of the landscape. His friendship with De Nittis proved to be advantageous to Campriani because he was introduced to the French merchant Goupil who employed him until 1884. This contract enabled him to get to know and therefore to work in Europe and in America. At the same time he took part in all the exhibitions held by the Societ\u00e0 Promotrice di Belle Arti in Naples, in 1871 with \u201cImpressione di una pioggia\u201d (Impression of a Rainfall), \u201cEffetto di neve\u201d (Impression of Snow) and \u201cDelle guerre gli errori meditate\u201d (Pondering the Errors of War). In 1885 he was also a member of the panel of the Societ\u00e0 Promotrice and, his contract with Goupil having come to an end, he continued working on scenes of Naples and Venice, landscapes of Switzerland and views of Paris and London. In 1894 he took part in the 3rd. Vienna International Exhibition with \u201cScirocco sulla costiera di Amalfi\u201d (Sirocco on the Amalfi Coast) purchased the following year by the Minister for Education for the Galleria Nazionale d\u2019Arte Moderna di Roma. At the turn of the century he worked on the decorations for the Gambrinus caff\u00e9 in Naples and two allegorical works for the Palazzo della Borsa (The Stock Exchange). From 1891 to 1921 he taught at the Accademia di Belle Arti di Lucca and from 1911 he was also director there. Alceste Campriani died in Lucca in 1933.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.ghilli.it\/en\/p\/capri-1887-countryside-italian-vineyard-landscape-by-capriani-alceste\/\" \/>\n<meta property=\"og:site_name\" content=\"Ghilli Antichità Milano\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/pages\/Ghilli-Antichit%c3%a0\/120056758035014\" \/>\n<meta property=\"article:modified_time\" content=\"2022-12-22T19:59:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.ghilli.it\/wp-content\/uploads\/2019\/02\/capri-a-campriani.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1536\" \/>\n\t<meta property=\"og:image:height\" content=\"1536\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@GhilliAntico\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.ghilli.it\/en\/p\/capri-1887-countryside-italian-vineyard-landscape-by-capriani-alceste\/\",\"url\":\"https:\/\/www.ghilli.it\/en\/p\/capri-1887-countryside-italian-vineyard-landscape-by-capriani-alceste\/\",\"name\":\"Capri 19th century Italian Countryside Landscape by Alceste Campriani 1887 | Vendita Online | Ghilli Antichità Milano\",\"isPartOf\":{\"@id\":\"https:\/\/www.ghilli.it\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.ghilli.it\/en\/p\/capri-1887-countryside-italian-vineyard-landscape-by-capriani-alceste\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.ghilli.it\/en\/p\/capri-1887-countryside-italian-vineyard-landscape-by-capriani-alceste\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.ghilli.it\/wp-content\/uploads\/2019\/02\/capri-a-campriani.jpg\",\"datePublished\":\"2019-02-02T14:33:24+00:00\",\"dateModified\":\"2022-12-22T19:59:24+00:00\",\"description\":\"Alceste Campriani, Capri 1887. \u00a0Rural Neapolitan countryside landscape with a vineyard in the foreground, animated by the presence of two peasants along a path, in the left part of the composition and surrounded\u00a0in the background by rocky reliefs and architectures on the right. Oil on canvas\u00a0painting, applied\u00a0on cardboard, signed in the lower right corner Capri, A. Campriani 1887, by the Italian artist Alceste Campriani (Terni 1848 - Lucca 1933), an Italian\u00a0painter famous\u00a0for his landscapes, especially of the Neapolitan countryside. This view of the countryside in Capri is an original natural setting for late nineteenth-century landscape painters who favored the seascapes or coastal views of Capri. The rural landscape of Campriani is characterized by bright tones, where the almost photographic representation of the real and the descriptive elements are enveloped in a calm and stable atmosphere. This Italian\u00a0landscape of Capri is unframed, in good condition and comes from a private residence in Milan. Alceste Campriani was born in Terni in 1848. He moved to Naples with his family and from 1862 to 1869 studied at the Regio Istituto di Belle Arti where he got to know Giuseppe De Nittis. During this period in Naples he distinguished himself in the 1869 test with his \u201cCapodimonte\u201d, later his work came stylistically closer to the Resina School and then became similar to the paintings of the Macchiaoli that, with their individual composition using patches of colour was in line with the artists\u2019 photographic vision of the landscape. His friendship with De Nittis proved to be advantageous to Campriani because he was introduced to the French merchant Goupil who employed him until 1884. This contract enabled him to get to know and therefore to work in Europe and in America. At the same time he took part in all the exhibitions held by the Societ\u00e0 Promotrice di Belle Arti in Naples, in 1871 with \u201cImpressione di una pioggia\u201d (Impression of a Rainfall), \u201cEffetto di neve\u201d (Impression of Snow) and \u201cDelle guerre gli errori meditate\u201d (Pondering the Errors of War). 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Oil on canvas\u00a0painting, applied\u00a0on cardboard, signed in the lower right corner Capri, A. Campriani 1887, by the Italian artist Alceste Campriani (Terni 1848 - Lucca 1933), an Italian\u00a0painter famous\u00a0for his landscapes, especially of the Neapolitan countryside. This view of the countryside in Capri is an original natural setting for late nineteenth-century landscape painters who favored the seascapes or coastal views of Capri. The rural landscape of Campriani is characterized by bright tones, where the almost photographic representation of the real and the descriptive elements are enveloped in a calm and stable atmosphere. This Italian\u00a0landscape of Capri is unframed, in good condition and comes from a private residence in Milan. Alceste Campriani was born in Terni in 1848. He moved to Naples with his family and from 1862 to 1869 studied at the Regio Istituto di Belle Arti where he got to know Giuseppe De Nittis. During this period in Naples he distinguished himself in the 1869 test with his \u201cCapodimonte\u201d, later his work came stylistically closer to the Resina School and then became similar to the paintings of the Macchiaoli that, with their individual composition using patches of colour was in line with the artists\u2019 photographic vision of the landscape. His friendship with De Nittis proved to be advantageous to Campriani because he was introduced to the French merchant Goupil who employed him until 1884. This contract enabled him to get to know and therefore to work in Europe and in America. At the same time he took part in all the exhibitions held by the Societ\u00e0 Promotrice di Belle Arti in Naples, in 1871 with \u201cImpressione di una pioggia\u201d (Impression of a Rainfall), \u201cEffetto di neve\u201d (Impression of Snow) and \u201cDelle guerre gli errori meditate\u201d (Pondering the Errors of War). In 1885 he was also a member of the panel of the Societ\u00e0 Promotrice and, his contract with Goupil having come to an end, he continued working on scenes of Naples and Venice, landscapes of Switzerland and views of Paris and London. In 1894 he took part in the 3rd. Vienna International Exhibition with \u201cScirocco sulla costiera di Amalfi\u201d (Sirocco on the Amalfi Coast) purchased the following year by the Minister for Education for the Galleria Nazionale d\u2019Arte Moderna di Roma. At the turn of the century he worked on the decorations for the Gambrinus caff\u00e9 in Naples and two allegorical works for the Palazzo della Borsa (The Stock Exchange). From 1891 to 1921 he taught at the Accademia di Belle Arti di Lucca and from 1911 he was also director there. Alceste Campriani died in Lucca in 1933.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.ghilli.it\/en\/p\/capri-1887-countryside-italian-vineyard-landscape-by-capriani-alceste\/","og_locale":"en_US","og_type":"article","og_title":"Capri 19th century Italian Countryside Landscape by Alceste Campriani 1887 | Vendita Online | Ghilli Antichità Milano","og_description":"Alceste Campriani, Capri 1887. \u00a0Rural Neapolitan countryside landscape with a vineyard in the foreground, animated by the presence of two peasants along a path, in the left part of the composition and surrounded\u00a0in the background by rocky reliefs and architectures on the right. Oil on canvas\u00a0painting, applied\u00a0on cardboard, signed in the lower right corner Capri, A. Campriani 1887, by the Italian artist Alceste Campriani (Terni 1848 - Lucca 1933), an Italian\u00a0painter famous\u00a0for his landscapes, especially of the Neapolitan countryside. This view of the countryside in Capri is an original natural setting for late nineteenth-century landscape painters who favored the seascapes or coastal views of Capri. The rural landscape of Campriani is characterized by bright tones, where the almost photographic representation of the real and the descriptive elements are enveloped in a calm and stable atmosphere. This Italian\u00a0landscape of Capri is unframed, in good condition and comes from a private residence in Milan. Alceste Campriani was born in Terni in 1848. He moved to Naples with his family and from 1862 to 1869 studied at the Regio Istituto di Belle Arti where he got to know Giuseppe De Nittis. During this period in Naples he distinguished himself in the 1869 test with his \u201cCapodimonte\u201d, later his work came stylistically closer to the Resina School and then became similar to the paintings of the Macchiaoli that, with their individual composition using patches of colour was in line with the artists\u2019 photographic vision of the landscape. His friendship with De Nittis proved to be advantageous to Campriani because he was introduced to the French merchant Goupil who employed him until 1884. This contract enabled him to get to know and therefore to work in Europe and in America. At the same time he took part in all the exhibitions held by the Societ\u00e0 Promotrice di Belle Arti in Naples, in 1871 with \u201cImpressione di una pioggia\u201d (Impression of a Rainfall), \u201cEffetto di neve\u201d (Impression of Snow) and \u201cDelle guerre gli errori meditate\u201d (Pondering the Errors of War). In 1885 he was also a member of the panel of the Societ\u00e0 Promotrice and, his contract with Goupil having come to an end, he continued working on scenes of Naples and Venice, landscapes of Switzerland and views of Paris and London. In 1894 he took part in the 3rd. Vienna International Exhibition with \u201cScirocco sulla costiera di Amalfi\u201d (Sirocco on the Amalfi Coast) purchased the following year by the Minister for Education for the Galleria Nazionale d\u2019Arte Moderna di Roma. At the turn of the century he worked on the decorations for the Gambrinus caff\u00e9 in Naples and two allegorical works for the Palazzo della Borsa (The Stock Exchange). From 1891 to 1921 he taught at the Accademia di Belle Arti di Lucca and from 1911 he was also director there. 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Oil on canvas\u00a0painting, applied\u00a0on cardboard, signed in the lower right corner Capri, A. Campriani 1887, by the Italian artist Alceste Campriani (Terni 1848 - Lucca 1933), an Italian\u00a0painter famous\u00a0for his landscapes, especially of the Neapolitan countryside. This view of the countryside in Capri is an original natural setting for late nineteenth-century landscape painters who favored the seascapes or coastal views of Capri. The rural landscape of Campriani is characterized by bright tones, where the almost photographic representation of the real and the descriptive elements are enveloped in a calm and stable atmosphere. This Italian\u00a0landscape of Capri is unframed, in good condition and comes from a private residence in Milan. Alceste Campriani was born in Terni in 1848. He moved to Naples with his family and from 1862 to 1869 studied at the Regio Istituto di Belle Arti where he got to know Giuseppe De Nittis. During this period in Naples he distinguished himself in the 1869 test with his \u201cCapodimonte\u201d, later his work came stylistically closer to the Resina School and then became similar to the paintings of the Macchiaoli that, with their individual composition using patches of colour was in line with the artists\u2019 photographic vision of the landscape. His friendship with De Nittis proved to be advantageous to Campriani because he was introduced to the French merchant Goupil who employed him until 1884. This contract enabled him to get to know and therefore to work in Europe and in America. At the same time he took part in all the exhibitions held by the Societ\u00e0 Promotrice di Belle Arti in Naples, in 1871 with \u201cImpressione di una pioggia\u201d (Impression of a Rainfall), \u201cEffetto di neve\u201d (Impression of Snow) and \u201cDelle guerre gli errori meditate\u201d (Pondering the Errors of War). In 1885 he was also a member of the panel of the Societ\u00e0 Promotrice and, his contract with Goupil having come to an end, he continued working on scenes of Naples and Venice, landscapes of Switzerland and views of Paris and London. In 1894 he took part in the 3rd. Vienna International Exhibition with \u201cScirocco sulla costiera di Amalfi\u201d (Sirocco on the Amalfi Coast) purchased the following year by the Minister for Education for the Galleria Nazionale d\u2019Arte Moderna di Roma. At the turn of the century he worked on the decorations for the Gambrinus caff\u00e9 in Naples and two allegorical works for the Palazzo della Borsa (The Stock Exchange). From 1891 to 1921 he taught at the Accademia di Belle Arti di Lucca and from 1911 he was also director there. Alceste Campriani died in Lucca in 1933.","breadcrumb":{"@id":"https:\/\/www.ghilli.it\/en\/p\/capri-1887-countryside-italian-vineyard-landscape-by-capriani-alceste\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.ghilli.it\/en\/p\/capri-1887-countryside-italian-vineyard-landscape-by-capriani-alceste\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.ghilli.it\/en\/p\/capri-1887-countryside-italian-vineyard-landscape-by-capriani-alceste\/#primaryimage","url":"https:\/\/www.ghilli.it\/wp-content\/uploads\/2019\/02\/capri-a-campriani.jpg","contentUrl":"https:\/\/www.ghilli.it\/wp-content\/uploads\/2019\/02\/capri-a-campriani.jpg","width":1536,"height":1536,"caption":"capri a campriani"},{"@type":"BreadcrumbList","@id":"https:\/\/www.ghilli.it\/en\/p\/capri-1887-countryside-italian-vineyard-landscape-by-capriani-alceste\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Ghilli Antichit\u00e0 Milano","item":"https:\/\/www.ghilli.it\/en\/"},{"@type":"ListItem","position":2,"name":"Catalogo","item":"https:\/\/www.ghilli.it\/catalogo\/"},{"@type":"ListItem","position":3,"name":"Capri 19th century Italian Countryside Landscape by Alceste Campriani 1887"}]},{"@type":"WebSite","@id":"https:\/\/www.ghilli.it\/#website","url":"https:\/\/www.ghilli.it\/","name":"Ghilli Antichità Milano","description":"Antique dealer in Milan, Italy, and online","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.ghilli.it\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"_links":{"self":[{"href":"https:\/\/www.ghilli.it\/en\/wp-json\/wp\/v2\/product\/22536","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ghilli.it\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.ghilli.it\/en\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ghilli.it\/en\/wp-json\/wp\/v2\/comments?post=22536"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ghilli.it\/en\/wp-json\/wp\/v2\/media\/22255"}],"wp:attachment":[{"href":"https:\/\/www.ghilli.it\/en\/wp-json\/wp\/v2\/media?parent=22536"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/www.ghilli.it\/en\/wp-json\/wp\/v2\/product_brand?post=22536"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.ghilli.it\/en\/wp-json\/wp\/v2\/product_cat?post=22536"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.ghilli.it\/en\/wp-json\/wp\/v2\/product_tag?post=22536"},{"taxonomy":"epoca","embeddable":true,"href":"https:\/\/www.ghilli.it\/en\/wp-json\/wp\/v2\/epocas_cat?post=22536"},{"taxonomy":"tipologia","embeddable":true,"href":"https:\/\/www.ghilli.it\/en\/wp-json\/wp\/v2\/tipologias_cat?post=22536"},{"taxonomy":"stato","embeddable":true,"href":"https:\/\/www.ghilli.it\/en\/wp-json\/wp\/v2\/statos_cat?post=22536"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}