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<oembed><version>1.0</version><provider_name>Ghilli Antichit&agrave; Milano</provider_name><provider_url>https://www.ghilli.it/en/</provider_url><author_name>waveadmin</author_name><author_url>https://www.ghilli.it/en/author/waveadmin/</author_url><title>Large Arched Landscape 18th Century Italian Light Blue Capriccio with Ruins Figures | Vendita Online | Ghilli Antichit&agrave; Milano</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="kUVOkA6ziE"&gt;&lt;a href="https://www.ghilli.it/en/p/large-landscape-18th-century-italian/"&gt;Large Arched Landscape 18th Century Italian Light Blue Capriccio with Ruins Figures&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.ghilli.it/en/p/large-landscape-18th-century-italian/embed/#?secret=kUVOkA6ziE" width="600" height="338" title="&#x201C;Large Arched Landscape 18th Century Italian Light Blue Capriccio with Ruins Figures&#x201D; &#x2014; Ghilli Antichit&agrave; Milano" data-secret="kUVOkA6ziE" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script&gt;
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</html><thumbnail_url>https://www.ghilli.it/wp-content/uploads/2021/03/grande-paesaggio-con-architetture-e-personaggi-q.jpg</thumbnail_url><thumbnail_width>1536</thumbnail_width><thumbnail_height>1535</thumbnail_height><description>Large Landscape, mid-18th century Italian Light Blue Capriccio with Ruins and Figures, &#xA0;probably originally an arched overdoor oil on canvas painting, relined and mounted on its original poplar frame. In the foreground this composition with monotone delicate light blue-grey colors shows the architecture of a large ruin with three bas-relief medallions and Doric columns; in front of this ruin some figures, a woman with a baby on her shoulder, a man with a cane and a dog. On their left, the ruin of a large sculptural base and the dome of a temple in the background; on the right, a couple of figures. The landscape is painted in light blue-grey tone, it has been restored and has widespread retouching, in many areas you can see the texture of the canvas as a presumed effect of a radical cleaning of the pigments. This effect, which we could define as worn, makes a surreal, almost metaphysical painting atmosphere. The frame is antique,&#xA0; has an original silver-leaf finish in the relief molding parts, whereas the central part of the frame is lacquered in Sienese ocher yellow. Both Painting and frame dates back to the mid-1700s.</description></oembed>
