Pratella Fausto Naples Italian Marine Landscape 1920 Unframed Oil on Canvas Painting
Italian Coastal Landscape oil on canvas work signed and dated lower left by the Italian artist Fausto Pratella 1920 Napoli.
Unframed, this Italian marine landscape comes from a Milanese private collection, in good condition.
Fausto Pratella, (Italian, 1886-1946) son of the Italian painter Attilio Pratella (Lugo, 1856 – Naples, 1949), was a student at the Naples Academy of Fine Arts, but was also very much inspired by the advice and teachings of his father. Another relevant influence came from Giuseppe Casciaro (Ortelle, 1863 – Naples, 1941).
Landscape painter, he began to exhibit in 1909, in his hometown, and later in important exhibitions such as the Venice Biennale and the Quadrennial of Rome. Fausto Pratella spent much of his life in Milan, distinguishing himself among the artists of the “Famiglia Artistica Milanese”. Certain of his works are presented in the Gallery of Modern Art in Naples and Novara.
He participated with assiduity, to the most important national exhibitions: in Turin at the Promotion of Fine Arts in 1931 and in 1932; in Milan in 1920, 1922 and 1923, and the Permanente in 1924, 1930, 1931, 1932, 1933; at the Venice Biennale in 1930 and the Quadrennial in 1931.
height: 64 cm
width: 100 cm
depth: 2 cm
A large mountain landscape, an early 20th century oil on canvas painting depicting a mountain scenery, the Monte Rosa massif, in the Piedmont Alps, with snowy mountains on the background, a rural farm and some cows in valley in the foreground; signed lower left S. Poma (Trescore Balneario, 1840 – Turate, 1932), one of the most relevant landscape painters of late 19th century Lombard Verismo.
The Verismo (meaning "realism", from Italian vero, meaning "true") refers to a 19th-century Italian painting style. This Italian term implies extreme raw realism, without any interpretation.
This peaceful mountain and valley view comes from a private collection of a Milanese family, it showed a small canvas tear, as per detailed picture below, now restored and relined. Set within a passe-partout and a giltwood frame, it is now in good age related condition,
Silvio Poma, Trescore Balneario, Bergamo, 1840 - Turate , Como, 1932 Having served as a volunteer in the second war of independence, Poma embarked on a military career but retired from the army in 1866 after contracting malaria. On his return to Milan, he worked in the studios of the soldier-painters Giovan Battista Lelli and Gerolamo Induno, his comrades in the military campaign of 1859. He made his debut at the Esposizione di Belle Arti di Brera of 1869 but received no official recognition until halfway through the following decade. A painting of a historical subject in a broad natural setting of Romantic character won the Mylius Prize
of the Brera Academy of Fine Arts in 1876 and a landscape exhibited in Naples at the Esposizione Nazionale di Napoli was bought by Vittorio Emanuele II in 1877. Poma established his reputation as a landscape painter with a repertoire of lake views that are intimist in character while also displaying the influence of his contemporary Filippo Carcano in their realistic approach. The period from 1883 on saw an increase in activity with the systematic presentation of works at national exhibitions and lasting success on the art market.