Product Description


20th Century Italian De Lotto The Crab Bite Bronze Seminude Young Boy Sculpture
1.600,00€
Annibale De Lotto Italian Bronze Fisher boy Sculpture, feature a semi nude young boy figure, a standing fisher boy getting bit by a crab on his foot holding up his right leg, observing the crab bite.
Standing on an naturalistic basement with the crab, signed on the back De lotto, by the Italian artist Annibale De Lotto (San Vito di Cadore 1877 – Venezia 1932). Marble basement.
Realized in the first half of 20th century after the model of the artist, there are no foundry marks, it is in good age related condition and comes from a private Milanese collection.
The dark brown patina of this almost naked figure is absolutely gorgeous and the cast sculpture is finely detailed and refined, with beautiful twist movement of the bust and great plasticity.
This would look just absolutely beautiful in any setting. An outstanding addition for any bronze collector.
Period: 1900
Article size:
height: 39.5 cm
width: 27.8 cm
depth: 16.5 cm
Sold
Email to a friendGET A SHIPPING QUOTE FOR THIS PRODUCT
DELIVERY IN 72 HOURS
Thanks to agreements with the most important transport companies we are able to deliver within 72 hours from all over Italy!
MAXIMUM CARE PACKING
The attention and care in packaging allow us always to travel the purchased goods with confidence and safety.
INSURED GOODS
Each shipment is traceable and insured for the full value!
AUTHENTICITY CERTIFICATE
Within each package you will find tax records and the object authenticity certificate.
Our offers
Giuseppe Bianchi cast bronze sculpture depicting a group of three female figures wrapped around a square pillar, three naked women holding up a torch, a flame or something similar. One of the figure holds the wheel of a cart.
This bronze sculpture expression of Italian Symbolist currents of the 1920s. is signed on the base G.Bianchi (Como 1864 - 1944) rests on a square marble base and has a beautiful dark patina, in good condition.
The modeling looseness of this composition, the deforming line of the three female figures, almost untied by anatomical reality, but of strong emotional and spiritual impact, are characteristics that place the sculpture in the second decade of the twentieth century, to the symbolist currents of the 1920s. Bianchi Giuseppe (Como 1864 - 1944) took part in the National Exhibition in Brera in 1922 with "Care Rimembranze" a marble sculpture. Some of his works are also present in the Art Collections of the Ospedale Maggiore in Milan.
Measures: Height 50 cm Width 19 cm Depth 19 cm.