Product Description
Italian Marine Landscape with Fishermen and Boats by Leto Antonino 1900 circa 2.400,00€
Abduction of Europa 19th Century Italian School Oil on Canvas Large Painting
17th Century Flemish Village Scene Oil on Copper Painting
3.600,00€
17th century Flemish School oil on copper painting depicting a village scenery crowded with a multitude of figures in the foreground with classical architecture and landscape in the background. On the left side, on a sort of stage with wings, in front of a portal decorated with bas-reliefs, we find a dentist working with a patient, a proclaiming gentleman and masked figures.
Under the stage a multitude of characters, as we often find in Old Master Flemish paintings, street vendors, walking gentlewomen, carriages with horses, dogs and a cart pulled by a horse enrich the scenery.
The painting is of Flemish origin and is in good condition consistent with the age and is set in a moderncarved and ebonised guilloché frame.
Period: 1600
Article size:
height: 15 (27.5) cm
width: 23 (36) cm
depth: 4 cm
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Landscape with resting shepherdess, sheep and cow, Tschaggeny 1849, signed and dated lower right by the Flemish Romantic painter and engraver Charles Philogene Tschaggeny, Bruxelles 1815-1894. This antique oil on oak panel painting, set in modern carved gilt-wood frame, depicts a resting shepherdess seated in the shade of a tree, stroking a cow. In front of them sits a sheep with a little lamb. The foreground scene is framed by a rural landscape with architecture in the background. In excellent condition, set within a carved and gilded wooden frame, this antique Belgian painting comes from a private collection in Milan. Charles Philogène Tschaggeny received his training from the noted painter Eugene Verboeckhoven before leaving for Antwerp in 1836 where he worked with Nicaise de Keyzer and Henri Leys. Tschaggeny largely painted horses, studying their anatomy in detail. He was recognized as one of the best horse painters during his own lifetime. Active as Animalier Romantic painter and engraver in the Netherlands, where he won a gold medal at the Brussels Salon in 1845 and in 1846 at the Antwerp Salon, but in England too, where he moved in the years 1848-1849 . His patrons included King Wilhelm II of the Netherlands, Leopold I of Belgium and Marie-Henriette of Austria. The English Queen Victoria too, his great admirer, in 1851 bought a painting for his collection. In 1865 Tschaggeny became a member of the Royal Academy. His works can be found in the Royal museum of fine arts Brussels and The National Gallery London.
3.000,00€ Add to cart 
Pair of architectural fantasies with ruins and classical figures, two very decorative Italian Caprices featuring a gray-blue tempera color on canvas in the first half of 20th century set in pale green frames. The unknown Italian author obtains with quick brushstrokes a decorative sense full of imaginary composition taken from classical antiquity; the architectures and ruins infested by vegetation are used as theatrical scenes of a motionless landscape animated by figures of eighteenth-century memory. One of the two canvas was mounted on a new stretcher. Both frames have a new pale green painting. They are in good condition except minor scratches as can be seen in the listed closed-up pictures.
Early 20th century oil on poplar view of a Southern Italian bay, a coastal landscape with fishermen and boats signed by the Sicilian landscape artist of the Belle Époque Antonino Leto, called Leto de Capri, Monreale near Palermo 1844 - 1913 Capri. It comes from a Milanese private collection, set in a gilt wood frame, signed A. Leto lower right, in good age related condition with old restorations, the sky shows minor painting retouches. On the back of the poplar panel, some inscriptions and an auction label. Leto was an Italian painter, mainly of genre/landscape paintings in an impressionistic style; In 1861, sponsored by his uncle, he moved to study in Palermo under Luigi Lojacono. He adopted the style and subject matter of Filippo Palizzi, In 1864, he moved to Naples where he was attracted to the Scuola of Resina, a painting style by Giuseppe De Nittis. He took lessons from Adriano Cecioni. He painted both in oil, tempera, and watercolor. By 1870, he had won a silver medal at the Mostra Artistica of Palermo with the painting Il Ritorno dal Pascolo and a gold medal at the Regional Exposition of Siracusa for La Bufera. In 1872, he sent A Winter's day in Sicily to the Brera Exposition. In 1873, he joined in Portici with other painters of the Scuola di Resina, travelled to Rome and met Francesco Paolo Michetti. In 1874 at Rome, he painted Alla Villa Borgese and Un contadino Romano, exhibited at the 10th Promotrice in Naples. In 1874-75, he won a Sicilian stipend to study in Rome with his work La Raccolta delle Olive In 1876–1878, he traveled to Florence. There he painted cityscapes including Case a Viareggio,[4] Ponte di Santi Trinità, and Passeggiata alle Cascine. After selling many of his works through the Galleria Pisani, in 1879 he moved to Paris invited by A. Goupil of the Goupil Gallery. In 1880, he painted Vecchia Parigi and Le Bois de Boulogne. In Paris, his contemporary painters were Giuseppe De Nittis, Domenico Morelli, A. Mancini, Vincenzo Gemito, A. de Neuville, Édouard Manet, and JL Meissonier. By 1880, he returned to Palermo, where he decorated the room of the Villa ai Colli (now Opera Pia Istituto Pignatelli) with lively views and genre scenes. After the 1880s, his health did not allow him to travel much, but he was prolific in sending paintings to exhibitions. He moved to Capri in 1882. His I funari di Torre del Greco (1883) was celebrated at the National Exposition of Fine Arts of Rome, and now hangs in the Chamber of Deputies. Over the next decade many of this subjects focused on seascapes or seashore activities
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